How to get killer tones on your bedroom setup

I promised in an earlier entry to write something about using guitar pedals which expect a high impedance, instrument level input like a guitar with synthesizers which typically have a low impedance, line level output. How much you will have to turn down the volume depends on how hot the synth output is, some are louder than others. Your big worry with an impedance mismatch is when you have a relatively high impedance signal going into a relatively low impedance input. Doing this will audibly affect the sound, and it is a bad thing. But, with a synth you have a low impedance output going into something designed to handle a higher impedance, the opposite situation from above and not a problem. Your mixer, for instance will have a 10k k ohm input impedance to handle the ohm impedance coming from a typical synth. Again, all guitar pedals should have an even higher input impedance than the mixer, so you are fine. Now, you might make the argument that the pedal is still expecting a higher impedance coming in, and even though the lower impedance from the synth will result in less distortion, maybe the pedal was designed to color the sound in a particular way with that higher impedance signal. Going out of the pedal might be a different matter! The two pedals I mentioned above, while they both look nearly identical and might be expected to have similar tech specs, would actually have impedance ratios of 1:

Boss ME Guitar Multi

On the inside, a fuzz pedal is a relatively simple circuit that has so much gain, it clips and distorts your guitar signal. Although simple, it’s still an untamed monster that has appeared on countless albums and a sound that should be in every guitar toolbox. It is very similar to a cranked tube amp when the tubes are breaking up.

Multi-effects processors are a great place to start exploring the world of rack gear. These products can open you up to a whole new world of fantastic sounds, and since the foot switches aren’t built in as with your pedals, you control these processors via MIDI foot controllers.

It shows on the picture by the two AC outputs 7 and 8. I cannot find a download for the manual so I cannot confirm that both of these AC outputs are milliamps but this is what it looks like from the data on their website. Will this damage the unit? The amp comes with FX loop but currently my new setup is running everything upfront. I only want to gate my drive pedals and vibe. The pedals in use are as below: You want to set up a loop with the G String as follows: The output will drive your Strymon and Dyna Verb without any truncation of the delay or reverb and the output of these effects will feed the input of your amplifier.

And to switch between just distortion to just preamp, do I have to hit two buttons or does turning off distortion automatically engage preamp? The Distortion channel and a Preamp channel. Both have a full EQ section so you can use the THETA as both your clean channel by using the Preamp section for your clean tone and then use the Distortion channel for your high gain distortion tone.

The distortion channel has plenty of gain, which allows you to use the Preamp for your clean tone and the Preamp for your clean channel. You can listen to any of the Ethan Brosh videos on line just do a search for Ethan Brosh , he is using the THETA with just the distort channel for his high gain and says he does not need any more gain by using the preamp as an overdrive.

You can take one of the standard one button switches for amp channel switching and make this footswitch if you prefer to change between the two channels with a single button.

Top 75 Best Modern Guitar Pedals

How to get killer tones on your bedroom setup Posted on August 31st Comments Most of us spend a great deal of time playing guitar in either a bedroom or a small home recording studio. Limited space, grumpy neighbours and a patient family makes it hard to really crank that amp. Still, we all want a big and fat tone that has all the qualities of playing on a loud stack. My home recording studio is a typically bedroom-sized room equipped with a few low wattage amps. I have a couple of smaller tube amps that serve the purpose of both practice and recording although most of my live guitars are recorded in our rehearsal studio.

So what is a big tone?

Shop for the Boss ME Guitar Multi-Effects Pedal and receive free shipping on your order and the guaranteed lowest price.

Finally a band that follows direction! I had bought an original Boss RC to use as a basic looper to play leads over. However, when I was asked to lead worship at church, it quickly became a great Read complete review I had bought an original Boss RC to use as a basic looper to play leads over. However, when I was asked to lead worship at church, it quickly became a great tool in my arsenal.

I compose and record my beats and bass lines for the songs I’m going to play Sunday morning, and just play an acoustic and sing over top of it. The limitations on the RC made it difficult at best. I had to link everything by hardwire to upload to the pedal, and the buzzing alone would drive you crazy. That made it impossible to play certain songs together. Now with the RC , I upload via USB, so theres no buzzing from ground issues, I don’t have to hit the play button and pedal record button at the right time to get the track to cue up right on the pedal.

I even can set it up to have two different genres at each end of the spectrum:

Boss ME Guitar Multi

You will also find below a video demo showing what a compressor does to your guitar tone. Studio Compressors vs Guitar Compressors You have first to understand a little bit about how a compressor works. Compressors originated in studios as sound reinforcement tools. They are probably the most used studio processors after equalizers and reverbs.

Good Loop The loop pedal from Donner Company with the name of looper, which is also a digital circuit pedal. With 10 minutes of looping time and unlimited overdubs and undo/redo functionality, Donner looper is the perfect blend of quality, creativity and simplicity.

Unique new footswitches deliver twice the control of previous designs for efficient and intuitive effects switching, patch selection, and realtime sound shaping while playing on stage. A complete history of gig-ready BOSS tone processing is at your command, from multiple overdrives and distortions to wahs, mod effects, pitch shifters, delays, and beyond.

The onboard expression pedal can be used for foot volume and pedal effects like wah, octave shift, and Freeze, and it’s also possible to control effects parameters such as mod rate, delay oscillation, and more for expressive realtime sound shaping. Instant Gratification with Dedicated Knobs Unlike typical menu-driven multi-effects processors that are complicated and unintuitive, using the ME is as easy as using a stompbox.

Effects are organized into eight logical categories that can all be active at the same time. Seven categories contain multiple effects types to choose from, plus dedicated knobs for selecting a type and adjusting it with a set of parameters you’d find in the pedal version of the effect. The Pedal FX category has its own knob for quickly assigning a particular effects type or function to be controlled by foot with the expression pedal.

FX Loop

Just what is tone? What is a good tone and how do you achieve it? Which amps you should choose for your setup and how to get the tones you want.

Then feast your ears on an option like the B9 Organ Machine Guitar Effects Pedal from Electro-Harmonix, which turns your guitar into a full-bodied electric organ. Another great option is the Windowpane Silicon Fuzz Guitar Effects Pedal from BBE.

The theme of this article is to chronicle the very best fuzz distortion pedals available today. These fuzz pedals all have one thing in common: These fuzz pedals are, IOHO, the best of the best. All of these pedals are great in their own unique ways. Of course, a good fuzz is a very subjective thing and taste varies greatly.

What one guitarist thinks is a great fuzz pedal, someone else may think is terrible. This list is an ongoing work in progress. We also thought it would be a good idea to put all the pedals on one page instead of making you refresh the page over and over. We hope this makes viewing this list more enjoyable. Thanks for supporting what we do at Best Guitar Effects.

Now without further ado, here are the top 25 best fuzz pedals of Fuzz Factory 7 , Fuzz Type: Germanium Fuzz The original Fuzz Factory is now over 20 years old and is still going strong. The Fat Fuzz Factory improved on the design with a 3-way toggle switch for even more low-end heavy fuzz tones.

The Guitar Effects Chain

Yes it is true bypass, and thanks for noticing the “no pop thing. The OCD is huge sounding, wide open sounding, why does it make my other Overdrives sound like there’s a blanket over the speakers in comparison? You’re right, but why don’t I hear it with other overdrives? Because your overdrives filter out Lop off the upper harmonics, the upper frequencies, and mask your amp’s fizziness.

Shop for the Boss ME Guitar Multi-Effects Pedal and receive free shipping on your order and the guaranteed lowest price.

E-H talking pedal I just earlier this evening found out that what I thought was a talking pedal was actually called a Golden Throat. What does a talking pedal do, and how does it work? Is it the same thing as a Golden Throat? They are completely different. The golden throat is a “talk box” like Frampton, Walsh, etc used. It is a speaker driver connected to a tube which goes in your mouth and needs to be miked through a PA to be used.

Your mouth acts as a filter. The Talking pedal is like a big wah wah pedal, but instead of saying “WAH” it says “eee aaaa iiii oooo uuuu” when it is moved, the vowel sounds. It goes in the path between the guitar and amp, much more useable than a talk box. But the talk box can make more different sounds. In the Bad Stone I can’t switch back and forth from auto to manual. Once I get it to be auto on the effect if I jar it too much it goes to manual so I have to jiggle the switch a bit.

On the Big Muff I can’t get it to go to tone bypass very often, when you switch it, it just loses all signal. I am gathering since I have a bit of a problem with both, it’s because of the old switch.

Pedalboard – How to order my guitar pedals & stompboxes! FX Chain Perfected!